Rives BFK is mouldmade in France from 100% cotton, acid free and has 4 deckled edges (2 natural deckles and 2 torn, done at the final stage of the papermaking process). Its smooth surface, soft feel and light sizing allows it to display every detail beautifully.

Rives is perfect for many printmaking techniques: lithography, silkscreen, letterpress, intaglio, pastel & charcoal. This paper has been around since the beginning of the 19th century and was named after the owners of the Rives Mill in France from their initials: Blanchet Frères & Kiebler (BFK).

Rives Heavyweight and Lightweight is mouldmade in Europe with 100% cotton. These papers like the BFK are designed to have a wide range of fine art printmaking techniques. It is internally sized and has minimal surface sizing. Rives is perfect for intaglio, engraving, litho, calligraphy, letterpress, etching, relief printing, silkscreen, pen and ink, and all block printing. It is a very versatile paper.

Rives comes with a unique trait for its edges. The 26" x 19" version has 2 natural deckled edges and one tear on the 19" side and one cut edge on the 26" side. the 26" x 40" is grain long with 2 natural deckles, but has 2 tear deckles along the short side (26").

Stonehenge paper is made from 100% cotton. Stonehenge was created to rival the more expensive mouldmade paper from Europe. This paper was created in 1972 for the printmaking community but it quickly gained popularity by more areas of work in the artist community.

Stonehenge has now became worldwide known for paper that works fantastically in many applications in the fine art world. Making it versatile and affordable for not only the professional artist but also great choices for aspiring students.

Stonehenge is the most preferred cotton paper of choice for Colored Pencil. This paper is great for a wide variety of art techniques like wax and oiled based colored pencils without any build up. Stonehenge allows the colors to penetrate and absorb into the paper. It is also excellent for silkscreen with the ability to take on 50-75 applications of colors being printed one at a time.

Stonehenge comes in many different colors. It is made in the USA and is an excellent paper to be used by the artist community. You can use this paper for hand lithography, intaglio, letterpress, offset, pen and ink, pastels, charcoal, relief printing, silkscreen, watercolor and stationery.

Stonehenge Oil is a heavy 140 lb paper, made with 100% cotton and is the new gold standard for oil paper. This paper has stepped up to a new standard allowing you to not need primer or gesso. There is zero prep required to start making your art. Stonehenge Oil has been tested and artists are falling in love with the performance. This new premium surface allows you, the artist, everything that you can normally do on canvas with exceedingly more forgiveness.

Stonehenge Oil allows you to build and build without having to worry about ghosting or bleed-through. Your finished artwork on Stonehenge Oil will provide you the opportunity to display and frame your artwork with or without glass. Stonehenge Oil welcomes multiple layers of brushwork while maintaining each detail.

Stonehenge Oil can be used for oil paint, oil pastel, acrylic, colored pencil, oil sticks, graphite pencil.

Arches 88 300 gsm is mouldmade in France from 100% cotton, unsized with has four deckled edges. This paper was originally developed for screenprinting, however, as the years have gone by it has transitioned into various printmaking processes.

Arches 88 is incredibly resilient and durable making it one of the premier choices for silkscreen. You can also use this paper for litho, etching and pencil..

Stonehenge Aqua Black is the first 100% cotton black watercolor paper. Black paper is not a new invention but black with 100% cotton paper sized for watercolor is.

Black allows the artist to rethink how to create works of art instead of building up shadows, you must build up light.

Legion was able to work directly with artists to create a unique watercolor paper. Stonehenge Aqua black is developed due to all the metallic, pearlescent, iridescent and interference watercolor paints that have been introduced into the market.

Stonehenge Aqua Black watercolor has been introduced at the perfect time and is a first of its kind for watercolor papers.

Lenox 100 is 250 gsm and has a vellum surface and works great for silkscreening, litho, etching and embossing. Its medium textured surface makes it ideal for pencil, graphite, and charcoal drawing techniques. Lenox 100 is machine made with no deckled edges or watermark.

Lenox 100 provides a medium textured surface making a great piece of paper to work with for a reasonable price. Lenox 100 paper was developed in the 1970's specifically for the fine art community. Lenox 100 is a great paper to work with for many different art applications. It is made in the USA, white, neutral pH and acid free.

Yupo Watercolor paper is a synthetic paper that is machine-made in the USA with 100% polypropylene. Using this material for making the paper gives it a surface that repels water. Yupo is waterproof, stain resistant and durable. It has a bright white smooth finish that gives artists the flexibility to work with it in many different ways to give it a unique and creative result.

Yupo is very smooth and it gives it a unique feeling when you are to draw or paint on it than traditional watercolor paper. Another unique trait for this paper is the surface may be wiped clean to restore the original white of the sheet. This is a fantastic feature for beginner artists. Yupo also is great for more advanced artists and experimental artists as its uniqueness allows the artists to have a different perspective when creating works of art.

Yupo's slick, smooth nonabsorbent features will give the artist a drastic change in the way you would traditional paint, print or draw. This sheet of paper allows you to capture artist techniques that are impossible on conventional watercolor and drawing papers.

Another unique trait is Yupo's ability for lifting. It offers an artist the opportunity to return to a painting by redoing areas over, even if it has been months as water activates the paint. You are able to build layers of paint like an oil painter does on canvas. You are also able to remove paint, revealing the white of the sheet. Once your art is fully complete, it can be sprayed with a matte-clear finishing spray to seal and protect it. Keep in mind to only do this after your work of art is finalized, as it is very difficult to make changes after it has been sealed.

You may use Yupo for Acrylic painting, alcohol inks, markers, oil pastels, pencil/graphite, silkscreen, watercolor and sumi-e ink.

Arches Cover Printmaking Paper 22" x 30" 250 gsm is mould-made from 100% cotton and has been around the art community for many years. This paper has two watermarks and two natural deckle edges.

It has internal sizing with minimal surface sizing. Due to this technique this paper does not need to be completely soaked overnight prior to printing. Instead you just need to dampen the paper. This does not mean you cannot soak the paper overnight it is merely up to the individual art professional.

You may use this paper for all printmaking techniques and it is rather versatile because it is possible to print this paper: wet, damp or dry with subtle texture.

This paper is primarily a printmaking paper, however, many artists throughout the art community have been using it for many other art techniques: pencil, pastel, charcoal and others.

Somerset printmaking paper is a very popular grade produced by the historic St. Cuthbert's Mill in the UK. This paper has been around since the early 1970's. Legion in the 90's worked with the mill based on the demands of the printmaking community to make the limited range of Somerset to become the most complete offering of mouldmade printmaking paper ever manufactured by one mill.

Somerset is great for drawing due to the soft handle and supple feel in all three surfaces it offers. It is also known in the stationery industry and working well with letterpress, engraving, thermography and embossing.

In the 90's when digital printing started to become popular Somerset was one of the first fine art paper to gain popularity in this new world. Due to this Somerset became available in more sizes and weights to meet the demand. This then led to the inkjet coated version, Somerset Enhanced Velvet, which is an important paper of fine art giclee printing.

Somerset is mouldmade in the UK with 100% cotton and has 4 deckles.

Cosmos Blotting comes in 24" x 38" is totally unsized (meaning no internal or external sizing) with a heavy weight of 360 gsm. This paper is primarily used for dampening art paper in preparation for printing. You place two sheets of this paper in-between the printing paper you are wanting to print on. The Cosmos Blotting is damp/wet and you typically leave this laying overnight so the printing paper will take in enough moisture.

Cosmos Blotting can also be used to help remove dampening printmaking paper. If you print on a paper and it is still quite damp, you can place it between two sheets of Cosmos Blotting. This will pull the wetness from the print.

This paper is made in the USA from high alpha cellulose. It has a rough surface and very absorbent. This paper has also been used for other art projects such as, paper-casting or molding shapes and sculpture pieces.

Stonehenge Aqua Coldpress Black Artist Panel offers a 100% cotton 140lb/300gsm mounted to a 1/8" aluminum panel. Black paper has been around forever, but black paper sized for watercolor is the first of its kind. Now it takes your creativity even further as it is offered in this "ready to go" portable panel.

Legion worked with several top artists to create the Stonehenge Aqua Black fine art paper. Due to the emerging surge of a wide array of new metallic and pearlescent watercolor paints, pencils, pens, markers and inks -- the timing for Stonehenge Aqua Black could not be more ideal!

Instead of building up shadows as you do with white paper, you are building up light. This allows artists to take on their projects in a new perspective, providing a new level of exciting and amazing creativity.

Stonehenge Aqua Artist Panel has the excellent Stonehenge Aqua Coldpress 300lb/600gsm 100% cotton paper mounted to its aluminum panel. Stonehenge Aqua is a high quality affordable paper that performs way past its pricing point. This paper has no limits in its possibilities as it has been thoroughly tested. Wet-on-wet or wet-on-dry, it may be used in every task and technique. Stonehenge Aqua surface is soft enough to use graphite yet hard enough to hold crisp edges with luminous, saturated colors. The sizing allows for outstanding lifting and blending leaving ample amount of time before drying flat.

Stonehenge Artist Panel has the prominent Stonehenge White paper pre-mounted to an aluminum panel backing. The artist panel offers the 100% cotton Stonehenge paper in a 250gsm weight. Stonehenge paper has the ability to take multiple layers of wax-based and oil-based pencil without any buildup. This allows the colors to penetrate and absorb into the surface of the sheet. Stonehenge paper never compromises fiber composition, archival properties and its suitability for multiple mediums.

Yupo Artist Panel offers the 74lb/200gsm paper. Yupo is an ultra-smooth surface different than traditional watercolor or drawing paper. Yupo is unique and requires some adjustments when approaching your artwork. Due to the slick, smooth, non-absorbent texture of the Yupo, you may wipe the surface clean to restore the original white of the sheet. Making it ideal for the beginning or professional artist.

Stonehenge Oil is made from 100% cotton in a 320gsm weight. It is ideal for the aspiring or avid oil artist. Stonehenge Oil eliminates all of the prep work, enabling the artist to immediately to start working on their rendering. This paper does not need primer or gesso and is pre-mounted to the aluminum backing. Stonehenge Oil achieves smooth gradations and transitions unlike any other oil paper. Build and build without worrying about ghosting or bleed-through and develop textures to your hearts content. This paper is durable and welcomes multiple layers of brushwork while retaining every detail.

Stonehenge Aqua watercolor paper is finely crafted that performs way beyond its pricing point. It is affordable watercolor paper that has been tested to its limit with an outcome of it having no limits. This paper is perfect for wet-on-wet or wet-on-dry.

Stonehenge Aqua has been crafted to make blending effortless, where lifting is not a chore and it welcomes masking. It comes in both Cold-Press and Hot-Press and Stonehenge Aqua gives the artist everything they need in an expensive paper but without the high cost. This paper is ideal for any artist that is wanting to test their watercoloring potential.

Water plus paint equals watercolor and Stonehenge Aqua watercolor paper is the paper every artist deserves. Stonehenge Aqua has a beautiful finish that welcomes your paint, for any watercolor task and technique.

Stonehenge Aqua is made from 100% cotton and has 2 deckled edges and 2 cut edges. It is sized for watercolor with superior quality and contains no animal gelatin. This paper has been synthetically sized and is perfect for watercolor.

Arches Platine is made from 100% cotton and has a satiny smooth finish with four deckled edges. This paper has a watermark to add to the premium quality this paper brings to the Fine Art Paper world.

This paper was designed for photographic artisans who print using palladium and platinum printing process. In order to do this delicate process your paper must be free of any alkaline or buffering substances or chemicals due to the acidic solutions in the clearing process of the final print.

Arches Platine was the first paper designed for this process. This papers wet strength to take on chemical baths is a needed attribute for this printing process.

Pergamenata Parchment 28" x 40" comes in 3 weights (110, 160, 280 gsm). Pergamenata is an Italian-made paper with 100% sulphite and is 100% translucent. It has a crisp snap which gives it a hard feel you would expect from an actual sheet of animal parchment.

Pergamenata Parchment is ideal for certificates, diplomas and award documents. It can be used for blind embossing, calligraphy, decorative, foil stamping, laser printing, letterpress, offset, pen and ink, silkscreen and stationery.

Pescia 22" x 30" 300 gsm is made with 100% cotton from Italy. This paper is smooth with internal sizing but has very little surface sizing. This makes Pescia ideal for all printmaking processes. Pescia has deckled on all four sides and displays the watermark of the old CM logo. It is smooth and supple to the touch.

Pescia can be used for intaglio, messotint, aquatint, etching, woodblock, stone litho, etching, silkscreen, drawing, graphite, colored pencil, pastel and charcoal.

Legion Coventry Rag paper was created in 1971 to meet the needs of artists and silkscreen printing. This paper was design to be able to take on an abundance of overlay printing. It can take upwards of 50-75 colors.

Coventry is internally sized with some surface sizing. This paper is unique and a pleasure to work with for artists. The amount of art techniques it can provide for makes it one of the more versatile papers to be used by artists.

Coventry Rag is made in the USA with 100% cotton, neutral pH, acid free, buffered with calcium carbonate. You can use this paper for calligraphy, hand litho, intaglio, letterpress, offset, drawing, watercolor, silkscreen and other techniques. Coventry Rag is a great paper and has been used for decades.

Chiri Natural 25 x 37, 35 gsm is known as one of the most essential papers made in Thailand. It is made from locally cultivated mulberry fibers which are harvested from living mulberry trees. Thai Chiri features tiny chips of mulberry bark which adds dimension and texture to the sheet. This paper is made from 100% kozo, it is chrisp and lightweight with 2 natural deckles.

You can use this paper for collage, decorative, lampshades, layering, scrapbooking and stationery.

Fedrigoni Cocktail has been cut in half measuring 19" x 27", 290 gsm / 140 lbs is acid free produced with lignin free cellulose pulp from sustainable forest (FSC certified). This product is environmentally friendly hydro-power process. It is completely bio-degradable and recyclable. This line of paper is resilient heavyweight card stock paper. The coating with tiny mica particles gives the appealing pearlescent sheen to the paper while increasing its lightfastness (Cuba Libre and Purple Rain semi-lightfast).

This paper is ideal for card making, craft, markers, felt pens, soft oil pastels, sketching, charcoal, fountain pens, offset printing, hot foil stamping and embossing.

Domestic Etching 26" x 40" with a weight of 175 GSM (approximately 85 lbs). This paper is an off white color and is made of 50% cotton. This paper has been used by many artists from the starting student to the professional for decades. Even with all the other substitutes out there Domestic Etching is still holding its popularity for use in the art world.

Domestic Etching has a blend of sulphite and cotton which gives it great internal strength to withstand plate work from a handpress. One side of the paper is smooth and the other has a slight vellum finish which is perfect for many drawing techniques from graphite, pencils, charcoal to pastels.

With this paper being internally and externally sized it is great for some offset printing and silkscreening. Domestic Etching is made in the USA with 50% cotton and 50% sulphite. It can be used for hand lithography, intaglio, letterpress, offset, pastel and charcoal, silkscreen and thermography.

Rising Drawing Bristol 22" x 30" is rated by the number of plies it contains (we currently carry the 2ply). Drawing Bristol is an uncoated, machine-finished paperboard with 100% sulphite. It has two finishes; plate is as smooth as glass and is very good for pen and ink, vellum finish is a lightly textured surface with a little friction based and great for crayon, chalk or charcoal.

Rising Drawing Bristol is typically used for drawing, illustration, pastel, charcoal, silkscreen, calligraphy, offset, watercolor.

Rives de Lin (Rives of Flax) is mould made, acid free and buffered containing 85% cotton and 15% linen. Rives de Lin has long fluffy deckled edges giving it the appearance of a handmade paper. It has two natural deckles and two simulated meaning it was torn at the finishing stage.

Rives de Lin is lightly sized and is praised for his resilience and elasticity. The linen gives it the tensile strength that makes it superb for embossing. Rives de Lin watermark includes the words, Moulin du Gue, the mill at the shallow part of the river. You can use this paper for hand lithography, intaglio, letterpress, offset, pastel & charcoal, silkscreen, stationery and watercolor.