Hahnemuhle Ingres, 19" x 25" 100 gsm in 12 colors. Hahnemuhle Ingres also comes in White, 31" x 41" 150gsm and is mould-made in Germany and has 4 deckled edges with a neutral pH. This paper is made of 100% Alpha Cellulose and has a toothed finished with an even-laid formation.

The Hahnemühle mould-made Ingres papers, named after the famous French painter Jean Auguste Dominique Inges (1780-1867) are produced on a cylinder mould with deckled edges. Due to its fine-ribbed and toothed surface, this paper features a modest look. Ingres is perfectly suited for the dry drawing and painting techniques, such as pencil, chalks, pastel and red chalk. You may also used Hahnemuhle Ingres paper in many printing techniques.

The individual sheets are deckle-edged on all four sides and available in 12 colors in the 19" x 25" 100 gsm but comes in 31" x 41" 150 gsm in White. They are not only well suited for drawing and painting but also for different printing techniques or the use as exclusive envelope or cover material.

Hahnemuhle Bugra, 33" x 41", 130 gsm is a type of paper that is mouldmade. It is made in Germany by Hahnemuhle, with two genuine deckle and two straight edges, with 100% alpha cellulose, duo-surface paper. One side of Bugra has laid lines with a tooth like texture and the other side is smooth. It is acid free and age resistant, archival quality.

Hahnemuhle Copperplate, comes in 2 sizes 22" x 30" and 31" x 47" both with weights of 300 gsm. Copperplate is mould-made from Germany with 100% high alpha cellulose. It is neutral pH, chlorine/acid free with 4 natural deckled edges and medium textured surface. Copperplate has no surface sizing at all with very little internal sizing. This technique gives the paper a soft handle with fantastic absorbing qualities allowing it to need less soaking in preparation for printing.

You definitely do not need to soak this paper overnight, just simply misting or dampening with a wet blotter will suffice. This paper has the ability to take deep embossings without cracking around the plate edges and still dry flat after printing.

Hahnemuhle Copperplate has a watermark of their encircled Rooster. This paper is ideal for all types of printmaking techniques. Copperplate is a less expensive mouldmade paper without compromisiing its deluxe appeal and performance on the press.

You can use this paper for all types of art techniques: hand litho, intaglio, letterpress, offset, pastel & charcoal, silkscreen, stationery, etching, invitations, embossing and many other art projects.

• Hahnemuhle Copperplate 22" x 30" 300 gsm comes in three colors: Bright White #721, Extra Bright White #745 and Warm White #718.
• Hahnemuhle Copperplate 31" x 47" 300 gsm comes in two colors: Bright White #722 and Warm White #719.

Fabriano Unica 22 x 30 250 gsm is a versatile paper that can be used by all printmaking techniques as well as drawing and water media. It is made of 50% cotton and is acid free.

Fabriano Unica paper is produced with hydro-energy and is an ideal paper for all projects. Unica has been tested to its limits in printing engraving and other printmaking techniques. Fabriano Unica is moderately priced for the art student, or the aspiring artist. It comes in two colors (ivory and white).

The quality and value of Italian made paper is epitomized in Fabriano Unica.

Hahnemuhle 1584 Cotton 140 lb / 300 gsm is ideal for woodcut and silkscreen printing processes. This paper is made from 100% pure cotton and is unsized and consequently extremely absorbent. 1584 has a satin-finish making for a smooth surface. It is firm and hard-wearing while the cotton fibers provide flexibility and it has 4 deckled edges with the Hahnemulhe watermark. This product comes in sheets and a roll.

Fabriano Murillo, Full Sheet Size 27" x 39", In addition Acuity offers half sheet Murillo 27" x 19" - Fabriano Murillo 360 gsm is a hefty card stock with neutral pH and acid free. The paper has a wove surface with trimmed edges and comes in many vibrant and popular colors.

Fabriano Murillo is a hefty card stock paper with trimmed edges and comes in many vibrant colors. This paper is both internally and externally sized with the heavy weight special texture it is well suited for printmaking. Many artist use it for Gouache.
Mouldmade in Italy of 15% cotton, 85% sulphite, neutral pH, internally and externally sized. This heavy 360 gram paper has a special texture. Well suited for book art as well as printmaking.

Many artist use Fabriano Murillo with the Gouache method guache, is one type of watermedia, paint consisting of pigment, water, a binding agent, and sometimes additional inert material. Gouache is designed to be used with opaque methods of painting.

Developed for graphic design and multimedia, Murillo’s unique blend of color, texture and thickness lends itself to any project where a paper’s rigidity is key.

Excellent for embossing, etching and drawing its internal sizing also allows for light water media and offset printing.

It is perfect for graphic design, modeling, multimedia, embossing, printmaking, pastel, book art, scrapbooking, etching, drawing, inks, colored pencils, graphite and pastels. Fabriano Murillo has internal sizing which allows for light water media and offset printing.

Fabriano Tiepolo comes in 3 sizes 19" x 27" 22" x 30" and 27" x 39" both weighing 290 gsm Soft White has 4 deckle edges and is mould-made with 100% acid free cotton paper with a beautiful watermark.

The 100% cotton paper is suitable for etching, lithography, wood-cuts and engravings as well as drawing and other fine art techniques.

In a traditional Italian soft white color this paper is versatile and strong for printmaking and can withstand the wear and tear of printmaking techniques.

It has a smooth surface and excels in all printmaking techniques, silk-screening, embossing and digital printing. You can also use this paper for drawing, loose watercolor washing and other fine art media projects.

Fabriano Rosaspina comes in 2 sizes 20" x 27" and 27" x 39". Rosaspina 20" x 27" comes in only one weight being 220 gsm but the 27" x 39" comes in 2 weights one 220 gsm and the other is 285 gsm. This paper is excellent for all printmaking techniques and performs as well as 100% rag papers. This paper has 60% cotton content and lack of external sizing gives it a soft surface which is ideal for etching and aquatint. It is mould-made and acid-free with 4 deckle edges.

All weights and sizes of Rosaspina come in two colors: white and ivory.

Rosaspina is excellent for all printmaking techniques. It lacks external sizing which gives it a soft surface making it ideal for etching and aquatint.
The sheet’s watermark runs parallel to the two smaller sides of the sheet and reproduces the Fabriano trademark and logo.

You can also use this paper for an upscale drawing paper.

A hidden jewel amongst printmaking papers, Rosaspina performs as well as 100% rag papers - excellent for all printmaking techniques, including etching, lithography and silk-screening.

Arches Cover Printmaking Paper 22" x 30" 250 gsm is mould-made from 100% cotton and has been around the art community for many years. This paper has two watermarks and two natural deckle edges.

It has internal sizing with minimal surface sizing. Due to this technique this paper does not need to be completely soaked overnight prior to printing. Instead you just need to dampen the paper. This does not mean you cannot soak the paper overnight it is merely up to the individual art professional.

You may use this paper for all printmaking techniques and it is rather versatile because it is possible to print this paper: wet, damp or dry with subtle texture.

This paper is primarily a printmaking paper, however, many artists throughout the art community have been using it for many other art techniques: pencil, pastel, charcoal and others.

Hahnemuhle Biblio, #734, White, 31" x 42", grain direction short, 150 gsm is made in Germany using 100% Alpha Cellulose, watermarked, acid free, mouldmade and has 2 deckle edges.

Made in Germany by Hahnemuhle, very reasonably priced and great for larger editions.

You can use this paper for book arts, crafts, drawing,graphic design, invitations, pastel, printmaking, letterpress, printing, calligraphy, inkjet and laser.

Pescia 22" x 30" 300 gsm is made with 100% cotton from Italy. This paper is smooth with internal sizing but has very little surface sizing. This makes Pescia ideal for all printmaking processes. Pescia has deckled on all four sides and displays the watermark of the old CM logo. It is smooth and supple to the touch.

Pescia can be used for intaglio, messotint, aquatint, etching, woodblock, stone litho, etching, silkscreen, drawing, graphite, colored pencil, pastel and charcoal.

Kinwashi (also known as Ogura Natural) comes in White or Cream 25 x 38, 30 gsm is machine-made in Japan from with manila hemp and kozo long swirling fibers. It has cut edges and the paper is lightweight yet durable with texture fibers on one side and smooth on the other side.

The Kinwashi White has small fibers and the Cream has long fibers throughout the paper.

This paper is slightly lighter than Ginwashi which allows it to be used for many art projects. You can use this type of paper for any overlay application, lampshades, collages, shoji screens and book arts. It can also be used for stationary projects, printing, printmaking and many other artistic projects.

Awagami Shiramine Select 17x 20, 110 gsm is made from 30% kozo, 15% hemp and 55% High Alpha Cellulose. One side of the heavy paper is highly textured with a soft feel, the opposite side of the paper is smooth.

The paper has four naturally feathered deckled edges. This paper is off white in color. The textured side is used for printmaking applications, while the smooth side can be used for painting and drawing.

This fine art paper has a relative thickness and generous sizing which allows it to be a versatile paper for many art mediums including printmaking, painting and drawing.

Awagami Hakuho Select 17 x 20, 220 gsm is made of 45% kozo and 55% cotton. This sturdy paper is the first fine art paper to feature this unique blend of kozo and cotton fibers. Hakuho Select is extremely strong and resilient surface and can be used for woodcut but it is also sized enough for watercolor techniques.

Awagami Bamboo Select 17 x 20, 170 gsm is made with 70% environmentally friendly bamboo and 20% recycled. This paper is slightly heavier than other washi and has a soft surface.

Ideallly used for intaglio, block printing and letterpress. This Japanese Fine Art Paper has a smooth finish developed for printmaking.

Monoprinting is a form of printmaking that has images or lines that can only be made once, unlike most printmaking, where there are multiple originals. There are many techniques of monoprinting.

Awagami Hosho Select Paper is a white handmade paper, 17 x 20, 80 gsm is made of 100% high alpha cellulose and has an unique trait of striped "laid" lines on this high quality fine art paper.

This fine art paper has been long recognized from printmakers as one of the most versatile Japanese Fine Art washi papers.

Awagami Select papers are acid-free, archival quality, and made with a strict attention to quality and preservation. All the papers from the Awagami Select Papers collection may be used by artists for a wide range of techniques from ink to printmaking to drawing.

Awagami Hosho Select Paper is mostly known for woodblock prints. This Japanese hand made fine art paper is ideal for etching, hand lithography and wood block printing.

Awagami Kitakata SH-16, 17 x 20, 36 gsm is made of 90% Gampi fiber and 10% high alpha cellulose. This Kitakata as a subtle gloss yet soft surface. It is warm-toned yet resilient and the sheet is rather dense making it ideal for many types of printmaking.

The Awagami Kitakata SH-16 has one silky smooth side, ideal for drawing, and a soft side ideal for many printmaking techniques.

This paper has natural deckle-edges on four sides, and comes in a natural color (eggshell). This Japanese Fine Art Paper has a delicate laid pattern on the soft side.

Philippine gampi is the main fiber for this paper that has a similar gloss to short-fibred 'mitsumata' paper. The paper is both dense and simultaneously glossy.

Ideal for printmaking, copperplate, serigraph, screen printing, letterpress, chine colle, and more.

Awagami Kitakata Green, a very soft hued green paper, 17 x 20, 36 gsm is made of 90% Gampi fiber and 10% alpha cellulose. This Kitakata has a subtle gloss yet soft surface. It is warmed-toned but yet resilient making the sheet rather dense.

The Awagani Kitakata Green papers are designed for screen printing or block printing. They have one side smooth, ideal for drawing, and one side soft and lightweight, with high absorbency and strength.

Kitakata Japanese Fine Art Paper is a go to paper for many types of printmaking art techniques, as it holds ink detail on its surface so well.

The Kitakata paper can also be used for other projects such as printmaking, screen printing, intaglio, drawing, calligraphy, and many other uses, depending on each individual artist needs and techniques.

Awagami Kitakata Select 17 x 20, 90 gsm is made of 90% Gampi fiber and 10% high alpha cellulose.

The Awagami Kitakata Select is a Japanese Fine Art Paper in a natural cream color, with four deckle edges.

Kitakata Select is one of the Awagami Editioning paper, it is a heavier weight version of the original Kitakata Washi. This particular type of Kitakata, one side has a subtle gloss feel but has density and the other side is a soft surface.

This paper is great for many types of printmaking, especially for lithography, also the Kitakata Select can be used for block printing, screen printing and other art techiques.

Awagami Bunkoshi Select 17 x 20, 70 gsm is made of 30% Kozo and 70% Alpha Cellulose. This paper has a relative deep natural color and smooth surface.

This papers texture is classically Japanese Fine Art Paper. The Awagami Editioning papers are created with the rich history of over 300 years of washi papermaking. This paper is acid free, archival quality, featuring four feathery deckled edges.

It has no additional sizing which allows it to be ideal for printmaking, ink, drawing, and calligraphy art techniques.

Awagami Kozo Natural Select 17 x 20, 46 gsm is crafted with 80% kozo and 20% high alpha cellulose. This paper is unique in its texture making it exceptionally strong but still rather flexible.

Due to this texture of paper it is suitable for numerous type of art projects such as intaglio, mixed media works, bookbinding and art restoration.

In addition the Awagami Kozo Natural Select may be used by artists for a wide range of techniques from ink to printmaking to drawing.

Awagami Okawara Select 17 x 20, 51 gsm is made of 25% kozo and 75% high alpha cellulose.

This paper has four natural deckled edges. The paper is one of the finest Japanese papers available. Awagami uses purely natural materials, so there may be slight variations in the paper.

The Awagami Okawara Select paper has a warm natural color. This paper is of medium weight and has a subtle surface texture, on one side. Making the soft side ideal for various printmaking techniques. The other side is smooth, ideal for drawing with pencil and graphite.

The paper is very versatility and has an affordable price making Okawara an international standard for printmaking students. Using Oil based colors Okawara can be used with lithography, etching, silkscreen and woodcut. Using water based colors wood cut printmaking is recommended by Awagami.

Fabriano Tiziano 20" x 26" 160gsm/75lb is acid free, archival quality, and made in Italy. This particular line of paper has a high cotton content, textured, highly lightfast, excellent surface marking and internal/external non-animal sizing. Artists at all skill levels, from the beginning students to the professional artist, will enjoy working with Fabriano Tiziano. Your art work will last for generations.

Available in White and 39 wonderful colors. Fabriano Tiziano Paper, features a woven textured grain (grain long). The high cotton content gives the Tiziano paper a soft feel, with a toothy texture, making it ideal for pastels, pencil, graphite and charcoal techniques.

This paper can also be used for other numerous type of art techniques: crayon, gouache, light washes, ink, tempera, air brush, watercolor techniques, art prints, letterpress, silkscreen printing and lithography.

Fabriano Vice Versa (Elle Erre) 20 x 27 220 gsm/ 135 lbs is a resilient heavyweight card stock paper. It is acid-free paper and produced with 100% ECF Cellulose Pulp that is FSC certified. This guarantees that the wood fibers come from forests managed according to strict environmental standards.

It has a high versatility allowing it to be used as fine art paper for offset printing, modeling, book art, scrapbooking, folders, greening cards, and crafts. It is enhanced by a uniquely double-sided surface.

An ample and vivacious range of colors. It lends itself to different uses because of its two surfaces, one rough, the other smooth, with these characteristics, Fabriano Vice Versa is suitable in particular for schools, graphic designers, poster artists and all graphic and technical paper uses.

The smooth bristol side is perfect for felt and marker pens while the lightly textured side accommodates all drawing and pastel applications. This resilient heavyweight paper allows it to be remarkable for rubbing and scratching abilities.

Mingeishi 25" x 37", 45 gsm is handmade of kozo, hemp and sulphite pulp. It is acid-free with 4 deckle edges and a laid finish. It comes in three different colors: White, Bright White and Natural.

The Fujimori family, have owned and operated the Awagami paper factory since the late 1700s. Mingeishi paper is one of the papers manufactured by Awagami. This paper is manufactured by long-standing Japanese papermaking traditions using modern techniques and processes.

Mingeishi refers to Japanese folk craft paper, or all purpose paper, which means it is suitable for all purpose paper. It can be used for various printing, printmaking and decorative applications.

Unryu Soushi White 24 x 39, 49 gsm is machine made of kozo and sulphite pulp and allows for printing impressions without lift. Soushi weight makes it an ideal choice for all printing and printmaking and can be used for stationery, calligraphy and interior design

Hahnemuhle Printmaking Bundle are all 22" x 30" but come in various weights and they are listed below. This bundle has some of the most premium printmaking paper made from Hahnemuhle:

• 4 Sheets of Copperplate Bright White, 300 gsm
• 4 Sheets of Copperplate White, 300 gsm
• 4 Sheets of Copperplate Warm White, 300 gsm
• 3 Sheets of Durer Etching, 300 gsm
• 3 Sheets of Durer Etching, 250 gsm
• 3 Sheets of Hahnemuhle 1584 100% Cotton, 300 gsm

Fabriano Printmaking Bundle consists of varies sizes and weights of some of the most premium printmaking paper from Fabriano.

• 10 Sheets of Fabriano Unica Ivory 22 x 30, 250 gsm
• 10 Sheets of Fabriano Unica White 22 x 30, 250 gsm
• 8 Sheets of Fabriano Rosaspina Ivory 20 x 27, 220 gsm
• 8 Sheets of Fabriano Rosaspina White 20 x 27, 220 gsm
• 8 Sheets of Fabriano Tiepolo Soft White 22 x 30, 290 gsm

Awagami Printmaking Bundle costs of some of the most premium Japanese printmaking papers wrapped up in one bundle. Each of these papers are 17" x 20" and have various weights, which are listed below:

• 3 Sheets of Bamboo Select 170 gsm
• 2 Sheets of Bunkoshi Select 70 gsm
• 2 Sheets of Hakuho Select 220 gsm
• 2 Sheets of Hosho Select 80 gsm
• 2 Sheets of Kitakata Green 36 gsm
• 2 Sheets of Kitakata Select 90 gsm
• 2 Sheets of Kitakata SH-16 36 gsm
• 2 Sheets of Okawara Select 51 gsm
• 2 Sheets of Shiramine Select 110 gsm
• 2 Sheets of Kozo Select 46 gsm